Elizabeth Hess's Acting and Being: Explorations in Embodied Performance PDF

By Elizabeth Hess

ISBN-10: 1349951056

ISBN-13: 9781349951055

ISBN-10: 1349951064

ISBN-13: 9781349951062

In this publication, educator-actor-playwright-director Elizabeth Hess deals systematic and unique explorations in functionality strategy. This hybrid procedure is a fusion of actual theater modalities culled from Western practices (Psycho-physical activities, Viewpoints) jap practices (Butoh, Kundalini yoga) and similar functionality disciplines (Mask, Puppetry). Behavioral, physiological and mental ‘states of being’ are engaged to unencumber impulses, entry event and amplify the mind's eye. via person, partnered and collective explorations, actors discover a character’s essence and point of cognizance, their power heart and physique language, and their archetype and courting to common topics. Magic (to faux, as if), Metaphor (to evaluate, as like) and fantasy (to trend after, as in) give you the origin for producing transformative, empathetic and expansive inventive expression. Explorations might be tailored to personality paintings, scene research and construction, together with original/devised paintings and proven textual content, to light up singular and astounding paintings via collaborative creativity that's creative, inclusive and alive.

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Additional resources for Acting and Being: Explorations in Embodied Performance

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Here one begins to exercise some conscious control, so that the dynamic exchange of wild and tamed energy comes into play in a way that is driven and deliberate. BEHAVIORAL STATES 21  lemental Landscape: Fire E For this element we go inside the body to house fire in the belly. We all know that a fireplace is a safe space in which to warm up a room, whereas uncontained fire can burn down the whole house. Likewise relationships are more likely to endure when fiery passion is partnered with warmth and well-defined boundaries, yet we are often drawn to the dazzling fireworks of dangerous encounters or illicit liaisons that flare out of control.

A twelfth-century nun translates her visions into a morality play. In Jose Rivera’s Marisol an angel descends to earth to directly intervene in the devastation of the human condition. As a guardian from above she exhibited a tender and fierce regard for her charge, Marisol. Now she needs to “spread her wings” and challenge the very hierarchy of heaven, which assigned her an identity as “helpmate” that was ineffective and un-empowering. Angel: Listen well. Marisol: angels are going to kill the King of Heaven and restore the vitality of the universe with his Blood.

In an exercise involving weight exchange, I learned to be both flexible and fluid in relation to another’s movement. We developed a dialogue with our bodies that felt PHYSIOLOGICAL STATES 37 three-­ dimensional—communicating not only with our eyes, but also with our backs, hands and breath. Through this “deep listening” we moved with increasing instinctual ease, allowing the movement to initiate within and resonate without while it simultaneously informed our feeling response. I have added vocalization—including tone, pitch and volume— into explorations in the physiological states of being, so that the actors create a call and response whereby the voice is indivisible from the body.

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Acting and Being: Explorations in Embodied Performance by Elizabeth Hess

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